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Vintage Modernism: A Quick Examination

Vintage Modernism: A Quick Examination

Vintage Modernism in web design has been around a while now, and is one of those definitions which you’ll perhaps hear, but doesn’t seem to have gained any official traction. Regardless of that, I still love it. So here is a quick roundup which looks at what Vintage Modernism is, and why it’s so great.


Vintage Modernism: What it Ain’t

Search the term on Google and you’ll more than likely end up looking at furniture, jewelry or fabrics. As a general design movement it’s no newcomer, but in the world of the web it’s taking on new meaning even as we speak. There have been a ton of resources on retro and vintage web design, but most of them focus on vintage as 1950′s USA; pin-ups girls and massive classic Chevvies, whereas what we now understand as vintage modernism suggests a totally different time and place.


Vintage Modernism: What it is

modern style meets vintage flair

The vintage modernist style has stepped forward and designers are now refining it in what has become a massive pool of inspiration. Think 20th century. Think Sherlock Holmes, industrial print presses, and Jack the Ripper. A hint of Art Deco. Think class division, traveling fairs and carnivals, wax seals, ribbons.

That kind of sets up the influence, but whereas the vintage retro sites of a year or two ago recreated that atmosphere, what we’re looking at aims to use the core elements in modern graphic design. Clean layout, sometimes even minimalist, strong typography, and attention to decoration and detail.


The Palette

As the example above shows, limited color schemes prevail. Sepias, which give us another flash back to vintage, are still around, though less in the sense of the aged, stressed appearance. Cleanliness is next to godliness, as they say.

Limited color palettes aren’t intended to replicate, so much as nod respectfully at early print techniques.


The Layout

Plenty of centrally aligned focus; logos, primary navigation. Often long, tall page structure.


The Decoration

The core elements of vintage modernism are easily recognized, and that’s largely thanks to the details. Luxurious textures and patterns (papers, fabrics, gradients, pin stripes). Engravings make the odd appearance, and think of flourishes such as banners, flags, stamps, and qualitative seals. Oh, and scalloped anything.


The Typography

One of the key players in the vintage modernist line-up. Typography is playful, experimental, and facilitated by the rise of web fonts (another example of technology paving the way for artistic expression). You’ll see many display fonts, bold, tall, often open faces or engraved, decorative serifs and brush scripts, flourishes and embellishments, subtle drop shadows, and skewed text.


The Target Audience

Vintage modernism seems ideally suited for corporate identity as it often lends itself to suggest class and exclusivity. It’s a great way for designers to preen their feathers and flex their muscles as there’s plenty to play with in terms of graphic toys. This is one reason for Dribbble.com being swamped in vintage modernism at the moment – check out Brandon Moore’s collection for some great examples.

You’ll just as commonly find it in print design. Think of quality embossing on heavy business cards, boxes, labels, invitations. In an age where print is becoming increasingly outsold by the internet, it’s retained its niche as tactile and luxurious. Perfect for vintage modernism. (Head over to designworklife.com for a plethora of quality print examples!)

Wait, did I mention produce? Perfect for quality (there’s that word again) coffee, beer, and coffee. And beer.


Conclusion

Conclu-what!? There is no conclusion. It is what it is, and I hope you enjoyed browsing the various examples!

Most design trends come and go quickly, while others can stand long enough to define a movement. And in the midst of the movement, what is going on now becomes modern design. - Brandon Moore

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  • http://www.alvipixels.com Web Design Huddersfield

    very nice collection with good commentary, thanks

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  • Dougieladd

    Agreed. Good collection of links in there too… thanks.

  • http://www.adipurdila.com AdiPurdila

    Nice, I just love vintage stuff and I’ve been telling myself for ages to redo my website in this manner. Too bad I’m too busy doing tuts for some webdesign blog… :D

  • http://dribbble.com/juliomoreira Julio Moreira

    Seriously, i’m tired with this kind of vintage design, for me it crossed the line of a trend and became an easy way to make “cool” stuff, sad.

    • http://www.snaptin.com Ian Yates
      Author

      Doing anything well is never necessarily easy – and there are loads of weak vintage modernism examples out there to prove it! I guess once something’s been around a while it comes down to personal taste.

      (Love your UI stuff on dribbble btw :))

  • supprof1

    i really like what you do audi
    your tutorials are awesome. you’ve a good test. this pictures are very nice.
    go a head we need to sse more tutorials
    may be you will turn one of your html/css templates to a wordpress finish theme?!!
    thank you very mutch

  • supprof1

    adi you are an artist!!!!

  • noko

    I find these kind of websites everywhere nowadays, truth is I don’t like them. But I guess there are people who like this style.

  • Luiz Soyer

    I got this feeling of a new movement coming along. It really looks fantastic but i think the most challeging part of it, is to add the modernism feeling into your piece and at the same time not look old, but fresh and elegant. That’s the first article i read about it, thank you to write it!

  • eeean

    Great post, and I like your thoughts on the style/trend. There’s a great new book called ‘The Modernist’ with plenty of this type of style, extended to include more of a photographic look. It could do with some of your thoughts/breakdown as the book is purely visuals and somewhat disappointingly no analysis and discussion.

    • http://www.snaptin.com Ian Yates
      Author

      Thanks very much :) My analysis wasn’t the most in depth (I was trying to keep it digestible), but I’m glad it was useful!

      I’ve seen the book you’re referring to, and it looks like it would make a nice addition to the designer’s shelf, even if it is largely eye-candy..

  • http://www.coreygwin.com Corey Gwin

    Ian! Thanks for pointing this trend out–I wasn’t sure what to call it but I have definitely been seeing it everywhere, especially on Dribbble. The first site I recall seeing with the style as mint.com but I think they’ve since gone toward a more crisp corporate style. Personally, I’m a huge fan but I hate to see it get played out.

    Any ideas on what some rising trends in web design are?

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  • http://www.vintagemodernism.com Bethany Ortiz

    Hello,

    Thank you for quoting our slogan “modern style meets vintage flair” : )

    • http://www.snaptin.com Ian Yates
      Author

      I’m not sure where I heard it (hence the lack of attribution) but if you coined it, good job! (Great products in your shop BTW…)

  • http://www.vintagemodernism.com Bethany Ortiz

    Thank you Ian : )

  • Historicist

    Sherlock Holmes and Jack the Ripper would be lat 19th century: Victorian. More likely inspiration for steampunk than vintage modern…

  • http://brandmooreart.daportfolio.com Brandon Moore

    thanks for the support Ian, and great article! i agree targetscope.com isnt really vintage modernism, but the whole movement seems to have originated in those kinds of strong vintage themes. or at least, played a part in it. in that particular example, its as if everything from type to color was taken from the 1940s, while VM must have SOME modern element to it. just my opinion, but i predict the style will be around for a while and move to a more minimalistic feel.

    • http://www.snaptin.com Ian Yates
      Author

      Hi Brandon, thanks for your comments – great to have your input!

      I was surprised, when searching around, that yours was really the only decent article about Vintage Modernism I could find. Perhaps you could write about its progression further down the line (it will be interesting to see if your theory’s correct :))

      • http://brandmooreart.daportfolio.com Brandon Moore

        thank you Ian. i agree, for such a popular movement there seemed to be a real lack of clear definition, or at least discussion, about it. which was the inspiration for that article. :)

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