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An Introduction to Color Theory for Web Designers
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An Introduction to Color Theory for Web Designers

This entry is part 5 of 15 in the Web Design Theory Session
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Today we’re going to learn the importance of color in Web Design and how to choose a pleasing color scheme. This article is part of our Basix series, which is aimed at providing practical and concise explanations of design principles for those with little design experience… let’s get started!

Republished Tutorial

Every few weeks, we revisit some of our reader's favorite posts from throughout the history of the site. This tutorial was first published in December of 2010.


Who this Article is Written for:

This article is written for people that are just starting to learn formal design principles. It is not meant to be a comprehensive study of how to apply color to a design (we’ll have plenty of those in the future), but rather, it’s an overview for those looking for practical advice that will help them approach color theory within the context of a web design project.

I’m writing this because I’ve always found it difficult to decide on a color scheme that works well for a project; it’s probably one of the toughest decisions that I have to make as a designer. However, by learning the basics of Color Theory and some excellent tools available on the web, I’ve been able to strengthen my designs and account for this weakness.

A Few Candidates for the Target Audience:

  • A programmer looking for advice to help them create a visually appealing prototype.
  • An aspiring designer who wants a brief overview of the subject
  • Someone who doesn’t understand the difference between Web Development and Web Design.

In A Nutshell, What is Color Theory?

Color Theory actually covers a number of things, but at the most basic level it is the interaction of colors in a design through complementation, contrast, and vibrancy.

The interaction of colors in a design through complementation, contrast, and vibrancy.

While the first part of this definition is straightforward (and admittedly bland), it is the last 3 terms which define the basic Color Theory:

Complementation

Complementation refers to the way we see colors in terms of their relationships with other colors. When colors occupy opposite ends of the color spectrum, they lead people to consider a design visually appealing by establishing a happy medium the eye can reside in. Rather than straining to accommodate for a particular area of the color spectrum, the eye is provided a balance. There are two common uses of complementation: the Triadic and Compound color scheme that we will be discussing later. Complementation can take you to new heights of design sophistication when you can begin to master the intricacies of color combinations.

Contrast

Contrast reduces eyestrain and focuses user attention by clearly dividing elements on a page. The most apparent example of contrast is an effective selection of background and text color, as shown below:

Color Theory for Web Designers
Color Theory for Web Designers
Color Theory for Web Designers
Color Theory for Web Designers

If you’re ever in doubt, the best practice is usually to choose a very light color for the background, and a very dark color for the text itself. This is one area where color theory is crucial to the usability of a web design; In most projects, large text areas aren’t a place to try to be really creative – so keep it simple and legible.

Along with establishing readable text, contrast can also draw the viewer’s attention towards specific elements of a page. Think about highlighting a textbook: when you want to draw your attention to a specific portion of the page, you make the surrounding area look different than the rest of the text. The same principle applies to Web Design: Using a variety of contrasting colors can help focus the viewer’s attention on specific page elements.

If your website has a dark background, focus on the main content with a lighter color.

Color Theory for Web Designers
Color Theory for Web Designers

This principle also applies to Analogous colors (which we will discuss later):

Color Theory for Web Designers

Vibrancy

Not to sound silly, but vibrancy dictates the emotion of your design. Brighter colors lead the user to feel more energetic as a result of your design, which is particularly effective when you are trying to advertise a product or invoke an emotional response. Darker shades relax the user, allowing their mind to focus on other things. A great example of this is a comparison between CNN and Ars Technica:

Color Theory for Web Designers
CNN’s website features a stark red banner across the top, which leads to heightened emotions from users as they are stimulated by the vibrancy of the design (and the contrast between red, white, and black- the primary color scheme of the website).
Color Theory for Web Designers
Ars Technica utilizes a darker color scheme for its background and header to relax the user and focus their attention towards their content. By doing so, their technical and detailed writing is considered the forefront of the site. And more importantly, the user is allowed to transfer the mental energy traditionally reserved for responding to vibrant colors to understanding the article’s contents.

How Do I Select an Effective Color Scheme?

Here are 3 of the commonly accepted structures for a good color scheme: triadic, compound, and analogous:

Triadic Color Scheme

Color Theory for Web Designers

Composed of 3 colors on separate ends of the color spectrum. There is a very easy way to create a Triadic color scheme:

  1. Take a color wheel, and choose your base color.
  2. Draw an Equilateral Triangle from this point.
  3. The three points of the triangle will form your tri-color scheme.

By using an Equilateral Triangle, you can ensure the colors have equal vibrancy and compliment each other properly.

Compound Color Scheme (aka Split Complimentary)

Color Theory for Web Designers

The Compound color scheme is based on providing a range of Complementary Colors: two colors are chosen from opposite ends of the color spectrum. By doing so, the designer is allowed more freedom in their design while also benefiting from the visual appeal of complementary colors.

Analogous

Color Theory for Web Designers

An Analogous color scheme is based on a careful selection of colors in the same area of the color spectrum. Usually the colors are differentiated by their vibrancy, and their contrast when compared to each other.

Two examples of an Analogous color scheme are:

  1. Shades Yellow and Orange
  2. A Monochromatic Selection (Shades of a base color)

Just the Beginning…

The beauty of where we are in history right now is that we can benefit from centuries of scientific and artistic color theorists. There are entire volumes that have been written about the minutia of color theory, so I’ll encourage those of you who really want to dig deep into the subject to find one of the numerous academic books available to harness some of the deeper concepts. We’ll also be releasing deeper articles on “color theory for web designers” in the future here on Webdesigntuts+ :).

Now let’s look at some great tools that you can use to experiment on your own:


Ways to Make Your Life Easier

Thankfully, there are a few tools at our disposal that make color selection extremely easy when utilized properly. And best of all, they will further our understanding of Color Theory.

By experimenting in a guided environment, we are able to learn how to apply these principles without becoming frustrated when things are not working perfectly. Think of these tools as a sort of “color theory safety net”, to help you explore your own creativity without ever needing to stray far from the established rules for pleasing color combinations.

Kuler

Color Theory for Web Designers

A tool developed by Adobe, Kuler is aimed at providing an intuitive way to create a color palette. Every color on the palette can be individually modified, or chosen as the base color, with a few simple clicks. Palettes can be saved and published, and there are a number of great community entries available on their site. Under each color, the export codes are provided (including hexadecimal). However, the interface can be cumbersome at times, adjusting the vibrancy of a specific color can alter the entire palette (I wish they had a “lock” feature which prevented other colors from shifting). Overall, I would recommend this tool for those with a decent grasp of the concepts and patience for when things don’t run as smoothly as they would hope.

Color Scheme Designer 3

Color Theory for Web Designers

This tool is quickly becoming my preferred choice for absolute beginners, those with little patience, or people on a deadline. By providing a very simple and controlled selector, Color Scheme Designer provides a very low barrier of entry, and its choice of color principles present a variety of options. While it doesn’t teach its users why the colors work well together (Kuler’s dynamic color wheel is much more effective in that regard), its results are great as a starting point or to finish a prototype.

Its more advanced options are very useful: features such as the ability to adjust an entire palette’s saturation and contrast, color blind overlays, and sample website previews are things I hope Kuler implements very soon. However, I feel this tool shouldn’t be the primary tool used by those who want to learn Color Theory- as it does too much of the work for the user and does not allow them to intuitively experiment while maintaining the basics of each color principle.

Yes, there are lots and lots of other sites where you can find great color schemes… and we’ll actually be rounding these sites up and analyzing them in the near future (search the site for our resource roundups when it comes out).


Case Study: Gamers With Jobs

To finish this article, let’s examine a website using some of the principles that we’ve discussed. Gamers with Jobs is a website devoted to a higher analysis of videogames, through its features, podcast, and forum.

Color Theory for Web Designers
  • The grey page background with the white content background focuses the user’s attention towards the center of the website.
  • The dark bar across the page (usually reserved for advertising) “frames” the user’s view into the content.
  • The use of orange-red in the headers draws the user to the categories, feature titles, and aspects of the website.
  • The neutral color scheme provides enough visual stimulation to keep the audience interested, while still allowing them enough mental freedom to enjoy the site’s content.

Closing Remarks and Summary

One of the hardest aspects of working with colors is that sometimes when colors have not yet been arranged in a design, they do not appear to work well together. However, once they are applied, their visual harmony usually becomes apparent. I’ve caused myself a fair amount of frustration by adjusting the colors chosen in Kuler before applying them to a design, only to find that the color scheme was altered just enough to be unappealing.

Trust in the theory! Apply the colors chosen through a color principle, and then adjust as needed. Doing so will save you a lot of time, and strengthen your design skills as you’ll begin to see color in more refined, artistic, and even scientific ways!

Summary

  • Choosing colors on opposite ends of the spectrum creates a visual harmony for the eyes.
  • A high contrast between elements makes text easily readable, and guides your reader’s attention.
  • The brighter the colors, the more mental energy they will consume.
  • Don’t be afraid to use tools such as Kuler and Color Scheme Designer 3, they only make your life easier and prevent you from becoming frustrated with the learning process.

Thank you for reading my first article, I had a ton of fun writing it. Please provide some feedback in the comments section if you feel so inclined, I want to make these articles as useful as possible.

Oh! And if you’re eager to read more, check out another great theory-based article that relates to what we just talked about: “Understanding Visual Hierarchy in Web Design”.

Note: Want to add some source code? Type <pre><code> before it and </code></pre> after it. Find out more
  • http://www.lucasdelrio.com.ar Lucas del Río

    Great article! very useful indeed. I’m going to have it in consideration for my projects from now on.

  • Andy

    Bravo. Nicely done Thomas!

  • http://connorcrosby.me Connor Crosby

    Very nice article. When choosing a color scheme I go with analogous. I am not a fan of using the opposite colors or the triangle. The colors I find myself using most often are grey and blue.

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      Thanks!

      I’m still deciding which I prefer. A Complementary or Compound Color scheme does provide more “Variety”, but when I simply look at the colors (not when they are applied to a design), I think “These colors don’t go together at all!” However, I’ve been forcing myself to try Compound and Complementary color schemes (since I’ve almost exclusively worked with Analogous color schemes previously), and have found that the best practice is to apply the colors without tweaking them (except to find a light-colored background in some cases), and then go from there.

      Greys and Blues are great color choices, and I often default to them when designing a prototype or outlining how I feel a site should look.

      • zhongnan

        good

    • Brett

      I agree about grey and blue..it seems to be a common standard that most everyone will like, those neutral colors mixed with blue, I don’t know what it is but those seem to be the most appealing to the masses.

      Which is cool with me because that’s my favorite!

  • http://shaneparkerphoto.com Shane Parker

    Very nice article, I was just referring an intern to Kuler this morning, now I can send them this great article as well!

  • erm

    Color theory on design websites:

    Make sure it doesn’t look bad.

    • http://www.spunktoons.com/blog/ JD

      Haha very very true

  • http://devisefunction.com Matthew Heidenreich

    not choosing the right colors can break the experience of a website. Very informative article for those looking to learn a little more about basic color theory.

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      “not choosing the right colors can break the experience of a website.”

      ^ This.

      Seriously, one of the worst things I experienced when working on projects was the sheer frustration of feeling that it was “broken”, but not having any idea of why you felt that way. Color does a lot to influence our opinion on a site’s “usability”, and I feel it’s once of the first things someone who wants to understand design should focus on.

      • http://devisefunction.com Matthew Heidenreich

        I couldn’t agree with you more. The same exact design with a different pallet can bring a whole new look. Just got to keep experimenting for the right variations for your design.

  • http://www.derdnik.com Chris

    I have been doing development for a while but am just starting to get into more of the design side of things. This helps a lot. Thanks!

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      I’ve followed the same path, only recently focusing a tangible amount of effort onto the design of my projects. I’m glad you found it to be useful, I try to write with the purpose of simplifying concepts developers and those outside of design hear about (but may not necessarily understand), while still retaining the core principles. If there’s anything you think I should improve on, give me a head’s up!

  • http://ciruu.com Ross

    This article is so helpful! I spend way too much time trying to figure out color schemes for my websites.

  • Lukigi

    Great article, I wish there were so many excellent articles on the web when I was learning the basics of web design.

    I think you should also mention websites like ColourLovers, that offer plenty of pallets and current colour trends.

  • Martin.B

    Soo i have this app Adobe Ideas in my iPhone 4 and there is color theme tool, which picks 5 colors from photo/image you select… is that somehow worthy?

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      Yes, it can be. Kulher has this feature as well.

      Two examples I can think of from the top of my head:

      1) Working with an existing logo for a design (A company has hired you to make a website for them, and they already have a logo)

      2) Focusing the color scheme of a blog around the “header image” (The image at the top of the blog)

      • Cliff Tyllick

        Thomas, I can add a third example. I can’t remember off the top of my head the name of the designer who taught me this trick, but it really does help with getting the colors right — that is, the client’s idea of “right.”

        Get your client to give you at least one picture that illustrates the “feel” of their enterprise, whatever their enterprise happens to be — retail, professional services, a church, a charity, a city; it really doesn’t matter.

        It’s important that the pictures get the right feel across; it’s not so important that they be real images of anything your client owns, operates, or is associated with. If they have no photos, you can even go through stock photos with them to find just the right image or set of images.

        The important thing is that the client be the one to make the final decision about what photo conveys the right feel.

        Then use the photo with this sort of app to extract potential color palettes. If you want back-up palettes, the application usually gives you several to choose from, or you could have the client pick more than one photo and extract a viable palette from each.

        Here’s the really neat thing: You’re basically creating a palette the client has already approved. And if you had more than one photo, you can quickly offer a second and even third option if the client is still not sure about the first pick.

        The designer I heard this from said they had never had it fail. I’ve used it twice, and it did actually work pretty well — although in one case I was trying to convince a friend to change the palette of one of his sites, and every photo he picked produced pretty much the palette he already had.

        Not very functional, but he was happy.

        If you’re like me and can manage to dress all in shades of green and still manage to get everything to clash, this technique can save you and your clients much frustration.

  • ilia luk

    great article, very helpful! thanks.

  • http://jkulig.com Jacob

    Cool thing about Kuler is that you can also use it as a desktop application on a Mac or PC (it uses Adobe AIR) as well as an extension in Adobe CS4+ applications. Both options give you pretty much the same functionality as the web version. You can find more information about those inside Kuler links section.
    Great article, thanks Thomas!

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      I actually didn’t know about this, I’ll make sure to add that information to the Kulher section.

    • http://themeforest.net/user/epicera/portfolio?ref=epicera Brandon Jones

      Nice note – thanks Jacob!

      • http://jkulig.com Jacob

        No bother. I only found out about this today while doing an online course on the subject.

  • Steve

    I’m not sure about the contrast thing. I agree you should have a fair amount of contrast, making the text readable and reduce eye strain, but going full on black and white just seems too much of a good thing. I think too much contrast can be as unreadable and eye straining as non contrast. I like a happy medium around 75% contrast. Usually I use an off white background and a medium to dark grey for text.

    • http://themeforest.net/user/epicera/portfolio?ref=epicera Brandon Jones

      I’ll agree with you here Steve – with most monitors/screens, white on black (or vice versa) can “vibrate”, which causes eye strain. It’s usually better to use just a shade or two-off black or off-white for the text itself. For the purpose of this article though, the theory is accurate… it’s just in practice that little tweaks need to be made :) Thanks for the great comment!

      • Cliff Tyllick

        Another reason to not max out the contrast is, believe it or not, accessibility. As you note, Steve, extreme levels of contrast can cause eye strain, especially for people who have to magnify the text to be able to read. Indeed, anyone who has to work a little harder to read, including people with dyslexia, might have a significantly harder time with reading pure black on pure white and vice versa.

        So where is the balance? In the middle, of course. And fortunately there are several free tools available to give you meaningful feedback about the levels of contrast in your chosen palette. One is Contrast-A, available as an online tool as well as an Adobe Air application. Another is the Paciello Group’s Colour Contrast Analyser, available for both Mac OS and Windows.

        To give you an idea, in the first two examples in Thomas’ article, with black on white and white on black, respectively, the luminosity ratio (one way of measuring contrast) is at the highest level possible, 21.0:1. In the third example, with very light pink on yellow, the luminosity ratio is 1.4:1 — very near the lowest possible value of 1:1 which, of course, occurs when the foreground and background are the same. In the fourth example, the ratio is about 7.5:1, with a little variation depending on where I sample from the dithered pattern of each letter’s image. Almost everyone would find that color combination easy to read. (In fact, all but a very few people with color blindness would actually have an easier time than the rest of us with this particular color combination.) The guideline for sufficient contrast is a luminosity ratio of 7:1.

        Another good example is the collection of colors used in these comments. Against this pure white background, the luminosity ratio of the letters you’re reading right now is 7.2:1. The green in my name contrasts to this background with a luminosity ratio of only 5.7:1 — but, because those letters are big, that’s still plenty of contrast. The guideline for large text is 3:1. What would that look like? Well, the time stamp’s contrast to this background is pretty close — it’s 2.9:1. If that text were a heading, it would need to be a shade or two darker to meet the guideline. Because it is so small (small enough that the guideline is 7:1), people with low vision would have a very difficult time reading the time stamps on these comments.

        That’s what these tools are designed to do — to let you know when a color pair has so little contrast that people with low vision (think older eyes, although that’s far from the whole population of this group) cannot easily distinguish between foreground and background. So they don’t give you a definite answer on how much contrast is too much, but my experience with testing various designs in use is that too little contrast is the far more frequent problem.

        Let’s take another look at the time stamps. They are way too faint according to the guidelines. Let’s say the owners of this site are troubled by that — they want everyone to be able to read the time stamps — but don’t like the way a darker gray looks. And we’re not talking about a small difference. To meet the guideline for small text, the time stamps would have to be almost as dark as the letters in these words. If the time stamps were that dark, then a great majority of the visitors to this site would see them as distracting clutter. What to do?

        Well, the best answer isn’t to throw out an otherwise good design. In a comment about applications that can suggest color palettes from photos, I suggested that you develop more than one potential palette. Look among them for a combination that would give you sufficient contrast, even in the time stamps. Use that combination in the palette of a second style sheet, and add a link to each page’s header that reads, “Higher Contrast.” When people click that link, change three things: the stylesheet to the high-contrast version; that word “Higher” to “Lower”; and the function of the link to toggle in the opposite direction. (You’re reading this because you’re a developer who wants to do okay designs, so you know how to make that stylesheet switch work, right?)

        By the way, the guidelines I’m referring to — the W3C’s Web Content Accessibility Guidelines, version 2.0 (WCAG 2.0) — are built into these color contrast testing tools. They not only give you a number but also remind you if that number is a “pass” or a “fail.” They even give you the contrast ratios as your chosen color pair is perceived by people with four different extremes of color blindness.

        If you get used to using these tools, you will be producing designs that meet at least this aspect of WCAG 2.0, the guidelines that many government, educational, and corporate clients are beginning to require their websites to meet.

  • Guilherme Ventura

    Article cool, I’m not a designer, but I know the importance of knowing the principles of design theory, thanks!

  • http://www.boylecreations.com Aidan Boyle

    Nice article. Really helpful for programmers indeed. There is never enough of these articles around.

  • http://about.me/pdcrittenden Paul Crittenden

    Great article but there was one thing that confused me. I’m taking a Color Theory for Web and Multimedia class right now and we were taught that a Split-Complementary color scheme is taking a base color and then the two colors on either side of its complement. Like I said, this was a great article and I’m not saying your information is incorrect at all – I’m just wondering about the discrepency. Thanks!

    • http://themeforest.net/user/epicera/portfolio?ref=epicera Brandon Jones

      Hi Paul, you’re correct – the split complimentary is composed of three colors (not four) in most cases. I was taught that it can also be called “split complimentary” when there are four opposing compliments, so I think both ideas are accurate. I’ll triple check this and make any edits to the terminology if it’s necessary :)

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  • Tim

    Wow! Many, many thanks!
    Never really thought about it..
    I took colors that may fit together but then I saw this and I suddenly realized that i torture my visitors’ eyes :D
    Now I’ll make pages that do have nice colors and will keep my visitors at my page. :)

  • Scott

    Great article. Could you create a follow up article on how to apply the scheme that you have created? That would be extremely helpful.

    • http://codemonkeydev.com/ Thomas Cannon
      Author

      I think that would be a great exercise. Which color scheme are you talking about?

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  • http://www.palsoftwares.com Website design long Island

    It is good article ….

  • ori

    10q, it’s a very good article, usefull and clear.
    please continue.

  • http://www.aedaddy.com MiselD

    Great article! 10+

  • http://www.lernvid.com Entry

    This is a great start on using colors in Webdesign. I study this for years and loose myself in frustration many times. You did explain the color theory very well.

    Thank you, really!

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  • zun

    very good and helpful tutorial, i always faced the problem of keeping a balance between the colors.
    thank you really for a very good article.

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  • anon

    Can’t wait for more on this subject. everytime I create something, being it a site or some digital art I always spend a lot of time on which colors I should use and how. I feel, especially when I look at other sites created by pro’s, amazed at how they pull it of eveytime. The colors always work together.

  • Šarūnas Savickas

    So great :) Thanks!

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  • http://www.sj777.in SJ……(sujith)

    “”"I’m writing this because I’ve always found it difficult to decide on a color scheme that works well for a project; it’s probably one of the toughest decisions that I have to make as a designer.”"”

    Now I am another person now with the same problem.Many clients are not happy with my color schemes. Many times my taste on color schemes and not matching with that of clients. I always make designs and I believe that the color schemes I used are good ones but client will come and say that the color schemes are really boring. Now this is my present problem.

    Duuno how this article will help me..hoping for best. Anyway I felt it very useful.

    • Cliff Tyllick

      Sujith, read my reply to Thomas’ reply to Martin.B’s comment above. You need to use the technique of getting your client to pick a picture that captures the feeling they want their website to have, and then using one of the apps that will produce a palette from that picture.

      It doesn’t even have to be a picture you would actually use on the website — it just has to capture the feeling the client wants.

      You don’t even have to tell them why you’re asking them to choose the picture. Just tell them it has to capture the right feeling. They’ll end up picking the color scheme without even knowing they’re doing it!

      • Jeremy

        I would think more than feeling like you don’t have to tell them why would be that perhaps you actually shouldn’t them why is actually the better rout to go. Otherwise it seems it would the risk swaying their decision making process back to whatever jacked up colors they thought they wanted in the first place.

        At any rate, I think it is a fantastic idea; one which I am going to implement immediately.

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  • kankuro

    color is one of the most hard to combine in the page design. very nice article.. it is ended important to know the color combination of any design you have. another knowledge added to my arsenal…

    thanks a lot for sharing your knowledge to us… it is a great help..

  • http://javahomeanddesign.com Tyo

    I just start to learn about design. Your article very useful for me. The color scheme article that you describe can help me to choose right color when start my web design, thank you….

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  • http://www.millwebdesign.com Eva

    Thanks for this article! I am just learning web design, and I have no clue how to pick the colors, so every time I just select a website I like and use the colors I find there. Hopefuly that will stop from now!

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  • http://jk3.us/ Jay K

    So, once you have a good color scheme, is there any advice on how to decide which colors to use in which areas? Which color do you choose for the background of a sidebar box, for example?

  • http://www.zdoug.com.br zdoug

    Great article!! Congratulations and thank you for share your wisdom with us, man! This article was very good for me to improve my knowledge in design.

    Congratulations from Brazil!

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  • http://cinitriqs.deviantart.com CiNiTriQs

    Thanks for the article ;) Kuler is a great and powerful tool, didn’t bump into the second one yet, will look into it later on. colour theory can be real hard, depending on the project. As long as it represents the feel and look needed for the end users (and the company working for) it’s all good… (anyone using fluo colours? no one? ;) )

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  • Thailand boy

    Thank you very very very very much

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  • http://aii.edu color theory prof

    your compound color scheme is NOT a split complementary. a split complementary is created by using the two colors on either side of a parent hue’s complement!

    what you are showing in your example is a double complementary, which can also be referred to as a tetrad. a tetrad harmony uses four hues, which when connected on the color wheel, create an a rectangle or square.

  • Kevin brewster

    I want to thank you for this information , on Analogous colors,triadic colors . I am a student at A.I . Of Hollywood and I am exploring the art of Web Design and I am a beginner however I believe this information will be very helpful to my career . Thank you so much .

  • brandon stevens

    nice

  • http://hannahjewellery.net/ Armine

    Hi, your article is great help to me, I am beaded jewellery designer, and I think in any design the right colour combination is important too. Thanks a lot.

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  • http://www.zhegu.org lugu

    Thans your article…I AM A begining webdesigner…i always get trouble in color combination…there is much to learn…

  • http://www.rackservers.com.au Rob RS

    Colour is such a fundemental part of web design and is so often overlooked or worse still, colours don’t match properly.

  • Alberto

    Thanks very much for this article. I’ll try to put in practice on the website I’m designing. It’s too frustating to fight against the web colors for a lot of hours

  • ashley

    Hi, i just start learning photoshop and i am using cs3. i am intented to design a beautiful website, which is the reason why i choose to study ps. then i find it difficult to choose the right color for a website. so i browsed the internet and find your blog. it’s very helpful, really. but i still have no idea of the kuler thing. i will check it out back at home at night. anyway, thanks and i will be here for a period, i guess.^^

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  • Tarek

    Your first article? :D you had me fooled for a veteran expert blogger (this is supposed to be a compliment, somehow :)) Thanks for the very useful insights and tools about Color theory, well done.
    Cheers from Egypt :)

  • spacewindow

    Thanks so much for your guidance. Guess the only thing to do now is play? I’m really not sure what reading volumes on colour theory will do for my design, isn’t it all just experience in the end? I would be interested to have someone argue otherwise (I’m actually a big nerd and love to read!) Anyway, thanks so much.

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  • http://www.gadtecho.com Kumar Gaurav

    It would be great if you guys can guide me or suggest me for my blog color design…. http://www.gadtecho.com/

    you can email me at itsme.kgaurav [at] gmail.com

    Thanks!

  • Rory

    No offence Thomas, but you shouldn’t write articles about colour until you’ve achieved a level of proficiency in it yourself. You can tell by looking at your site that this isn’t the case. Blind leading the blind.

  • http://jasakeren.com Bagus Fikri

    wow I just need this soo much, thanks!! :D

  • Barb

    Loved this. It was very useful!

  • Sameera

    Nice…..Very useful article.

  • KomalBandi

    Like this article

  • ashish

    Love the article. I would like to add another resource for colour palette inspirations http://www.colourlovers.com/

  • Mazen

    Good artical thanks

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  • http://www.usbmemorydirect.com/ Vincent

    Sometimes I just look at a color scheme and it just looks right to me lol. It’s great to finally see a little bit behind the theory involved with it.

  • http://www.pctutorials.info PCTutorials

    Informative article.I am looking forward to the next more in-depth articles ! Keep on good work ! Thanx !

  • Miroslav

    As a total beginner in web design and theory of it I can say this article is very infromative. Good starting point in pursue of knowledge. Tnx and keep going!

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  • http://www.facebook.com/profile.php?id=100000169522811 Daniel Dogeanu

    What if you found a combination of colors that doesn’t respect any principles of Color Theory, but look good together?

    • Richard

      You likely have found that you like the colors and ‘how they speak to each other’. And it can be personal. For example: imagine 3 distinct characters or actors you like or dislike, etc, grouped together. Now think about the mood of the group. Who they are, personalities (color) affect the temperature/culture/disposition of the group, how they ‘relate’ to each other. If you take one of them out and replace them with a distinctly different one, think how that affects the personality (mood) of the group. That is exactly how it is in color grouping as well.

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  • http://twitter.com/lunamystra Jéssica Carneiro

    Really good article! It was really helpful!

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  • bob

    churr

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  • Andre

    Great article, thank you kindly:))))!

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